(This surefootedness brought a sigh of relief, given that "positive COVID tests within the band" led to Genesis postponing their last four U.K.
PINNACLE STUDIO 18 ULTIMATE REVIEW CRACK
(As Collins noted onstage, "The last couple years have given new meaning.") More of that zeal came from the players themselves: Rutherford, playing his now-trusted entry-level Squier electric guitars, frequently kicked into "rocker guy" mode with his hard strums and whammy-bar textures the younger Collins consistently beat the daylights out of his kit (see: the instrumental section of "Firth of Fifth") even Banks, never a man for excess facial expressions, appeared to crack a smile between his breathtaking synth solos and tasteful piano patterns. No rock band brings a light/slide show more suited to the spectacle of arena performance: Take "Land of Confusion," where the animated images of stacked toilet paper and face-masked strangers nodded overtly to pandemic reality. The latter was the evening's clear low point - coming off as slightly under-rehearsed, though rescued by the falsetto backing of touring members Daniel Pearce and Patrick Smyth.) But even if there were a few hiccups (like some flubbed lyrics to Invisible Touch epic "Domino"), collective joy always won out. (The one switch-up: swapping out the dramatic Duke rarity "Duchess" for that album's much more famous pop hit "Misunderstanding," dusted off for the first time since 1984.
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That assessment applied to the whole performance: a versatile, 23-track set that stuck almost entirely to the earlier blueprint of their Last Domino? tour, with sweeping prog pieces butting up against candy-coated pop.